摘要
ArthurMillerisuniversallyrecognizedasoneofthegreatestdramatistsofthe20thcenturyintheUnitedStates,togetherwiththeconscienceofAmericandrama.Nevertheless,hisworkshavealwaysbeenconsideredashavingmisogynicinclinations.Thispaper,onthebasisofgendertheories,seekstoundertakeaninterpretationtotheelementsofmasculinityandfemininityregardingfemalecharactersinArthurMiller’sdramas.TakingTheCrucibleandAMemoryofTwoMondaysasacaseinpoint,theauthorseekstoidentifyanddiscussthreecategoriesoffemalecharacters,comprising“theangelinthehouse”,thefigureofMedea,andthesilencedandabsentfemales,inordertodeconstructMiller’sdichotomizedoutlookonfemales.
出版日期
2018年04月14日（中国期刊网平台首次上网日期，不代表论文的发表时间）
